"Tablas para guitarra y orquesta: 1. Canto libre" by Antonio Ruiz Pipó, Narciso Yepes, London Symphony Orchestra, Rafael Frühbeck de Burgos was released on February 5, 2016. Since Tablas para guitarra y orquesta: 1. Canto libre is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 53 in the song's album "The Complete Concerto Recordings". In this album, this song's track order is #27. In terms of popularity, Tablas para guitarra y orquesta: 1. Canto libre is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tablas para guitarra y orquesta: 1. Canto libre by Antonio Ruiz Pipó, Narciso Yepes, London Symphony Orchestra, Rafael Frühbeck de Burgos having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 108 BPM | ||
Canzion y danza I. | Antonio Ruiz Pipó, Petr Paulů | G Major | 1 | 9B | 121 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Sonate No. 3 en ré majeur | Padré Juan Andrès De Lonbide, Antonio Ruiz Pipó | F Major | 1 | 7B | 85 BPM | ||
El sombrero de 3 picos (The 3-Cornered Hat), Part II: Dance of the Corregidor (arr. S. Behrend for guitar) | Manuel de Falla, Siegfried Behrend, Anabel Montesinos | D Major | 1 | 10B | 91 BPM | ||
Flores de la montana | Antonio Lauro, Raul Borges, Victor Villadangos | E Major | 1 | 12B | 84 BPM | ||
Preludio del Adiós | Alfonso Montes, John Williams | A Minor | 1 | 8A | 91 BPM | ||
Bardenklange, Op. 13: Fingals Hohle (Fingal's Cave) | Johann Kaspar Mertz, Adam Holzman | G Major | 1 | 9B | 100 BPM | ||
Gaspar Sanz : Folias | Renata Tarragó | E♭ Minor | 1 | 2A | 116 BPM |
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