"Tristan und Isolde / Act 2: "Doch unsre Liebe, heißt sie nicht Tristan und - Isolde?"" by Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann was released on January 1, 2004. The duration of Tristan und Isolde / Act 2: "Doch unsre Liebe, heißt sie nicht Tristan und - Isolde?" is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Tristan und Isolde / Act 2: "Doch unsre Liebe, heißt sie nicht Tristan und - Isolde?"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Vienna State Opera Orchestra, Christian Thielemann. The song's track number on the album is #7 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tristan und Isolde / Act 2: "Doch unsre Liebe, heißt sie nicht Tristan und - Isolde?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tristan und Isolde / Act 2: "Doch unsre Liebe, heißt sie nicht Tristan und - Isolde?" by Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde / Act 2: "Doch unsre Liebe, heißt sie nicht Tristan und - Isolde?" being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Villi: La Tregenda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | C Minor | 3 | 5A | 123 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Symphony No. 3: II. Tempo di Menuetto. Sehr mäßig | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel | A Major | 0 | 11B | 137 BPM | ||
The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Lohengrin, WWV 75 / Act II: "Gesegnet soll sie schreiten" | Richard Wagner, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 80 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Vienna State Opera Orchestra, Claudio Abbado | D♭ Major | 0 | 3B | 99 BPM |
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