"M. Henry Noell his Galiard from Lachrimae, or Seaven Teares" by Fretwork was released on March 3, 2003. The duration of M. Henry Noell his Galiard from Lachrimae, or Seaven Teares is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. M. Henry Noell his Galiard from Lachrimae, or Seaven Teares's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Fretwork's "Goe Nightly Cares/Dances From Lachrimae (1604)/Consort Music" album is number 13 out of 25. In terms of popularity, M. Henry Noell his Galiard from Lachrimae, or Seaven Teares is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of M. Henry Noell his Galiard from Lachrimae, or Seaven Teares by Fretwork to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in E Minor: VII. La Montsermeil - Rondeau | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 49 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
The Musical Offering: Ricercar, BWV 1079 à 6 | Johann Sebastian Bach, Fretwork | A♭ Minor | 1 | 1A | 130 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Pavana II | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 115 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 1 | 8B | 104 BPM | ||
Lawes: Consort Set No. 9 for 6 Viols in B-Flat Major, VdGS 94-96: III. Inominy | William Lawes, Fretwork | B♭ Major | 1 | 6B | 144 BPM | ||
Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | ||
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante | François Couperin, Mikko Perkola, Aapo Häkkinen | D♭ Major | 0 | 3B | 86 BPM | ||
Fantasia for the Great Dooble Bass No. 18 (No. 3) | Nicholas Parker, Fretwork | A♭ Minor | 2 | 1A | 175 BPM |
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