Vincent Persichetti, Iain Quinn's 'Dryden Liturgical Suite, Op. 144: III. Psalm' came out on December 3, 2021. The duration of Dryden Liturgical Suite, Op. 144: III. Psalm is about 3 minutes long, at 3:18. Based on our data, "Dryden Liturgical Suite, Op. 144: III. Psalm" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Persichetti: Organ Works". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Dryden Liturgical Suite, Op. 144: III. Psalm's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dryden Liturgical Suite, Op. 144: III. Psalm by Vincent Persichetti, Iain Quinn having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armenian Dances: Part II: I. Hov Arek | Alfred Reed, Taiwan Wind Ensemble, John P. Boyd | A Minor | 1 | 8A | 128 BPM | ||
Second Suite for Military Band, Op. 28 No. 2: III. Song of the Blacksmith | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | D Minor | 2 | 7A | 103 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
Variations on a Korean Folk Song: IV. Allegro con brio | John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele | B♭ Major | 2 | 6B | 148 BPM | ||
Trombone Concerto (1st version): III. Finale: Maestoso - Rondo | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | F♯ Major | 0 | 2B | 121 BPM | ||
バラード 作品62 | Eugène Bozza, Ian Bousfield, Alison Procter | F Major | 0 | 7B | 70 BPM | ||
Serenade No. 12, Op. 88: IV. Capriccio | Vincent Persichetti, David Zerkel | D Minor | 0 | 7A | 79 BPM | ||
ドラゴンの年 II. インタールード(間奏曲) | Philip Sparke, Osaka Shion Wind Orchestra | D Major | 0 | 10B | 87 BPM | ||
Willisabethan Sarahnade: My Yorker | Klaus Wallendorf, Sarah Willis, Kotowa Machida, Philip Mayers | F Major | 0 | 7B | 117 BPM | ||
Vaughan Williams: Tuba Concerto in F Minor: II. Romanza. Andante sostenuto | Ralph Vaughan Williams, Perry Hoogendijk, Royal Concertgebouw Orchestra, Dima Slobodeniouk | G Major | 1 | 9B | 131 BPM |
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