"Céphale et Procris, Act II Scene 1: Lieux écartés, paisible solitude (Procris)" by Élisabeth Jacquet de La Guerre, Deborah Cachet, Reinoud Van Mechelen, A Nocte Temporis was released on February 9, 2024. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 37 out of 94 in Elisabeth Jacquet de la Guerre: Céphale et Procris by Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur. Céphale et Procris, Act II Scene 1: Lieux écartés, paisible solitude (Procris) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Céphale et Procris, Act II Scene 1: Lieux écartés, paisible solitude (Procris) by Élisabeth Jacquet de La Guerre, Deborah Cachet, Reinoud Van Mechelen, A Nocte Temporis is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo | Pietro Locatelli, Freiburger Barockorchester, Gottfried Von Der Goltz | B Minor | 1 | 10A | 134 BPM | ||
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
Céphale et Procris, Prologue: Qu'un cœur est heureux (Deux Nymphes) | Élisabeth Jacquet de La Guerre, Gwendoline Blondeel, Wei-Lian Huang, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Forqueray, A: Pèces de viole, Suite No. 1 en ré mineur: V. La Portugaise. Marqué et d'aplomb | Antoine Forqueray, Jean Rondeau | D♭ Minor | 2 | 12A | 126 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Flute Concerto in D Minor, RV 431a "Il gran mogol": II. Larghetto | Antonio Vivaldi, Barthold Kuijken, Indianapolis Baroque Orchestra | B♭ Major | 4 | 6B | 129 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VIII. Borree | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 82 BPM |
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