Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov made "バレエ音楽「ドン・キホーテ」 - キトリとバジルのグラン・パ・ド・ドゥよりコーダ" available on 1988. With バレエ音楽「ドン・キホーテ」 - キトリとバジルのグラン・パ・ド・ドゥよりコーダ being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in クラシック人気作曲家ランキングTOP50![何人知ってる!? バッハからピアソラまで、イマドキの人気作曲家50人がおくる名曲ガチンコ勝負!(クラシック人気ランキングシリーズ)], so we believe that "バレエ音楽「ドン・キホーテ」 - キトリとバジルのグラン・パ・ド・ドゥよりコーダ" is a single. バレエ音楽「ドン・キホーテ」 - キトリとバジルのグラン・パ・ド・ドゥよりコーダ is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of バレエ音楽「ドン・キホーテ」 - キトリとバジルのグラン・パ・ド・ドゥよりコーダ by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Moscow-Cheryomushki, Op. 105: 2. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly | E Minor | 0 | 9A | 179 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Etudes: XII. Mazurka | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 141 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Don Quixote: Act I: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | F Major | 2 | 7B | 101 BPM |
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