"Passio Domini Nostri Jesu Christi Secundum Johannem: Intermedium III: Agnus Dei" by Cipriano de Rore, Huelgas Ensemble, Paul Van Nevel was released on 1990. The duration of Passio Domini Nostri Jesu Christi Secundum Johannem: Intermedium III: Agnus Dei is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Passio Domini Nostri Jesu Christi Secundum Johannem: Intermedium III: Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Passio Domini Nostri Jesu Christi Secundum Johannem". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Passio Domini Nostri Jesu Christi Secundum Johannem: Intermedium III: Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passio Domini Nostri Jesu Christi Secundum Johannem: Intermedium III: Agnus Dei by Cipriano de Rore, Huelgas Ensemble, Paul Van Nevel having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
De tous biens plaine I | Alexander Agricola, The Royal Wind Music | C Major | 1 | 8B | 179 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 77 BPM | ||
The Little Consort, Suite No. 7 in G Minor and G Major: II. Ayre | Matthew Locke, Phantasm, Elizabeth Kenny | F♯ Major | 1 | 2B | 176 BPM | ||
Madrigal à 4, Pero piu ferm | Cipriano de Rore, The Vienna Recorder Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
Omnis qui se exaltat | Johannes Wanning, Cappella Gedanensis | G Minor | 3 | 6A | 97 BPM | ||
Crucifixus | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
Stabat Mater: I. Stabat Mater | Domenico Scarlatti, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Miserere a 9: No. 3, Quoniam iniquitatem - Tibi soli peccavi | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM |
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