On November 15, 2019, the song "Peter und der Wolf, Op. 67: X. Nun aber... kamen die Jäger aus dem Wald" was released by Sergei Prokofiev, Barbara Schöneberger, Berlin Radio Symphony Orchestra. The duration of Peter und der Wolf, Op. 67: X. Nun aber... kamen die Jäger aus dem Wald is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Peter und der Wolf, Op. 67: X. Nun aber... kamen die Jäger aus dem Wald's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Saint-Saëns: Karneval der Tiere & Prokofiev: Peter und der Wolf". In this album, this song's track order is #39. Furthermore, we believe that the track originated from Germany. In terms of popularity, Peter und der Wolf, Op. 67: X. Nun aber... kamen die Jäger aus dem Wald is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Peter und der Wolf, Op. 67: X. Nun aber... kamen die Jäger aus dem Wald by Sergei Prokofiev, Barbara Schöneberger, Berlin Radio Symphony Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Violin Concerto No. 3: III. Vivo | Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz | F♯ Major | 0 | 2B | 71 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
The Rite of Spring, Part 2: VI. Sacrificial Dance | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Minor | 5 | 7A | 139 BPM | ||
Pictures At An Exhibition: The Hut On Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 2 | 9B | 89 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Romanian Folk Dances, Sz 56: III. Pe-loc - Andante | Béla Bartók, Andrew Rangell | C Major | 0 | 8B | 88 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM |
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