- BPM
- 174
- Key
- G Major
- Camelot
- 9B
Amélie Vals (1846) - Hans Christian Lumbye, Tivoli Symphony Orchestra Information
- Acousticness
- 96%
- Danceability
- 16%
- Energy
- 14%
- Instrumentalness
- 84%
- Liveness
- 17%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 17%
- Loudness
- -19.721 dB
Summary
"Amélie Vals (1846)" by Hans Christian Lumbye, Tivoli Symphony Orchestra was released on December 10, 1997. Amélie Vals (1846) appears to be safe for all ages as it is not explicit. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 1" album is number 11 out of 16. The popularity of Amélie Vals (1846) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Amélie Vals (1846) BPM
We consider the tempo marking of Amélie Vals (1846) by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Amélie Vals (1846) Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Attack, Op. 156 | Karel Komzák, Czech Philharmonic Orchestra, Václav Neumann | D Major | 5 | 10B | 147 BPM | |
 | Flight of The Bumble Bee | Nikolai Rimsky-Korsakov, Hanspeter Gmür, Camerata Rhenania, Various Artists | A Minor | 1 | 8A | 76 BPM | |
 | Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | |
 | Pomp and Circumstance March No. 1 in D Major, Op .39, No. 1 | Edward Elgar, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 89 BPM | |
 | The Peasant and The Poet | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | D Major | 2 | 10B | 86 BPM | |
 | Terpsichore, Op. 37 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 84 BPM | |
 | Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | |
 | Coppelia: Act I - Mazurka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 2 | 9B | 82 BPM | |
 | L'Arlesienne Suite No. 1: Prelude | London Philharmonic Orchestra | C Minor | 1 | 5A | 115 BPM | |
 | Gavotte | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | A Major | 1 | 11B | 130 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7432773113250732
End: 0.7482504844665527