"Symphony No. 4 in C Major: I. Allegro molto moderato" by Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales was released on November 17, 2023. Symphony No. 4 in C Major: I. Allegro molto moderato appears to be safe for all ages as it is not explicit. There are a total of 18 in the song's album "Schmidt: The Symphonies". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Symphony No. 4 in C Major: I. Allegro molto moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 4 in C Major: I. Allegro molto moderato by Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: I. Allegro ma non troppo | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations VII & VIII | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | C Major | 0 | 8B | 96 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: III. Of the Great Longing | Richard Strauss, Wolfgang Sawallisch, Michael Stairs, Philadelphia Orchestra | D Major | 0 | 10B | 65 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 16, Allegretto | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
Raymonda, Op. 57: Act I - Introduction - Premier tableau | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | C Minor | 0 | 5A | 76 BPM | ||
Piano Concerto No. 1 "Scapegoat": Scherzando | George Lloyd, Martin Roscoe, BBC Philharmonic | F♯ Major | 2 | 2B | 95 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Concerto gregoriano, P. 135: I. Andante tranquillo | Ottorino Respighi, Sir Edward Downes, BBC Philharmonic Orchestra, Lydia Mordkovitch | F Major | 0 | 7B | 130 BPM |
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