18 Chorale Preludes, Leipzig Version: 10. Trio super 'Nun komm' der Heiden Heiland', BWV 660 - Johann Sebastian Bach, Wolfgang Rübsam Information

Acousticness: 99%
Danceability: 17%
Energy: 5%
Instrumentalness: 90%
Liveness: 14%
Loudness: 57%
Speechiness: 3%
Valence: 34%
Popularity: 1%
Loudness: -26.091 dB

Summary

Johann Sebastian Bach, Wolfgang Rübsam's '18 Chorale Preludes, Leipzig Version: 10. Trio super 'Nun komm' der Heiden Heiland', BWV 660' came out on October 12, 2021. The duration of 18 Chorale Preludes, Leipzig Version: 10. Trio super 'Nun komm' der Heiden Heiland', BWV 660 is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 18 Chorale Preludes, Leipzig Version: 10. Trio super 'Nun komm' der Heiden Heiland', BWV 660's duration is considered a little bit shorter than the average duration of a typical track. The song is number 359 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. 18 Chorale Preludes, Leipzig Version: 10. Trio super 'Nun komm' der Heiden Heiland', BWV 660 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

18 Chorale Preludes, Leipzig Version: 10. Trio super 'Nun komm' der Heiden Heiland', BWV 660 BPM

The tempo marking of 18 Chorale Preludes, Leipzig Version: 10. Trio super 'Nun komm' der Heiden Heiland', BWV 660 by Johann Sebastian Bach, Wolfgang Rübsam is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

18 Chorale Preludes, Leipzig Version: 10. Trio super 'Nun komm' der Heiden Heiland', BWV 660 Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga	Johann Sebastian Bach, Lang Lang	G Major	1	9B	71 BPM
Sonata for Solo Violin No. 3 in C Major, BWV 1005: III. Largo	Johann Sebastian Bach, Park Kyuhee	F Major	1	7B	142 BPM
Lyric Pieces, Book 5, Op. 54: Nocturne	Edvard Grieg, Alessio Bax	C Major	0	8B	72 BPM
Bach, JS: Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso	Johann Sebastian Bach, Elizabeth Wallfisch, Lisa Beznosiuk, Malcolm Proud, Orchestra of the Age of Enlightenment	B♭ Minor	0	3A	135 BPM
Concerto en ré mineur, BWV 974: II. Adagio	Johann Sebastian Bach, Alexandre Tharaud	D Minor	2	7A	85 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	139 BPM
Suite en ré: Les niais de Sologne	Jean-Philippe Rameau, Natacha Kudritskaya	E Major	2	12B	103 BPM
Violin Concerto in E Major, BWV 1042: I. Allegro	Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz	E Major	2	12B	183 BPM
Adagio in F, H.XVII No.9	Franz Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio	Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras	E Major	0	12B	91 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.61513352394104

End: 0.6198928356170654