"Croquis et agaceries d'un gros bonhomme en bois: I. Tyrolienne turque" by Erik Satie, Francis Poulenc was released on 1951. With Croquis et agaceries d'un gros bonhomme en bois: I. Tyrolienne turque being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francis Poulenc's "Meet the Composer - Francis Poulenc Playing His Own Works" album is number 21 out of 23. On top of that, United States appears to be the country where this track was created. In terms of popularity, Croquis et agaceries d'un gros bonhomme en bois: I. Tyrolienne turque is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Croquis et agaceries d'un gros bonhomme en bois: I. Tyrolienne turque by Erik Satie, Francis Poulenc to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Still | Ola Gjeilo | C Major | 0 | 8B | 71 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Watching You In The Morning | Waltzin | D♭ Minor | 1 | 12A | 49 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
3 Visions: No. 2, Summerland | William Grant Still, Bruce Levingston | F♯ Major | 0 | 2B | 67 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM |
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