"String Quartet No. 3 in E-Flat Minor, Op. 30, TH 113: I. Andante sostenuto - Allegro moderato - Andante sostenuto" by Pyotr Ilyich Tchaikovsky, Heath Quartet was released on November 18, 2016. String Quartet No. 3 in E-Flat Minor, Op. 30, TH 113: I. Andante sostenuto - Allegro moderato - Andante sostenuto appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Tchaikovsky: String Quartets No. 1 & No. 3". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, String Quartet No. 3 in E-Flat Minor, Op. 30, TH 113: I. Andante sostenuto - Allegro moderato - Andante sostenuto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With String Quartet No. 3 in E-Flat Minor, Op. 30, TH 113: I. Andante sostenuto - Allegro moderato - Andante sostenuto by Pyotr Ilyich Tchaikovsky, Heath Quartet having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
16 Waltzes, Op. 39: No. 9 In D Minor | Johannes Brahms, Idil Biret | B♭ Major | 0 | 6B | 62 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Giselle: Andantino | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | A♭ Major | 0 | 4B | 117 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune (Andante très expressif) | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM |
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