"My Shepherd Will Supply My Need" by Virgil Thomson, Harvard University Choir, Murray Forbes Somerville was released on 1997. With this song being about 5 minutes long, at 4:54, "My Shepherd Will Supply My Need" by Virgil Thomson, Harvard University Choir, Murray Forbes Somerville is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Harvard University Choir, Murray Forbes Somerville, Nancy Granert's "Lo, There Is Light!" album is number 12 out of 19. My Shepherd Will Supply My Need is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of My Shepherd Will Supply My Need by Virgil Thomson, Harvard University Choir, Murray Forbes Somerville to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veni Sancte Spiritus | The Songs of Taize Session Singers | B Minor | 1 | 10A | 93 BPM | ||
Missa Presulem ephebeatum: I. Kyrie | Heinrich Isaac, Cappella Mariana, Vojtěch Semerád | D Minor | 2 | 7A | 83 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Christus factus est | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | D Minor | 0 | 7A | 173 BPM | ||
3 Portraits (arr. S. Dushkin): No. 3. In a Bird Cage, A Portrait of Lise Deharme | Samuel Dushkin, Virgil Thomson, Philippe Quint, William Wolfram | F Minor | 0 | 4A | 110 BPM | ||
Laudi alla Vergine Maria | Giuseppe Verdi, Salzburg Bach Choir, Alois Glassner | C Major | 2 | 8B | 73 BPM | ||
Yver, vous n'estes qu'un villain | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | B Major | 0 | 1B | 78 BPM | ||
The Eyes of All Wait Upon Thee | Jean Berger, Syracuse University Singers, John Warren | E Minor | 1 | 9A | 132 BPM | ||
The Last Words of David | Randall Thompson, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt | G Major | 0 | 9B | 69 BPM | ||
Eternal Father, Strong to Save | Huddersfield Choral Society | G Major | 1 | 9B | 108 BPM |
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