Gordon Jenkins And Orchestra made "Paris Canaille" available on March 5, 1962. The duration of Paris Canaille is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Paris Canaille's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Paris - I Wish You Love". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Paris Canaille is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Paris Canaille by Gordon Jenkins And Orchestra having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fight | Judy Garland, John Ireland, Gordon Jenkins And Orchestra | G Major | 2 | 9B | 140 BPM | ||
Blitzkrieg Baby | Una Mae Carlisle | C Minor | 1 | 5A | 129 BPM | ||
Weep No More | Billie Holiday, The Stardusters | B♭ Major | 1 | 6B | 81 BPM | ||
Girls Were Made To Take Care Of Boys | Billie Holiday, The Stardusters | B♭ Major | 1 | 6B | 77 BPM | ||
Beau Koo Jack | Louis Armstrong & His Savoy Ballroom Five | F Minor | 4 | 4A | 121 BPM | ||
After You | Jeri Southern | F Minor | 2 | 4A | 173 BPM | ||
Hi-Lili, Hi-Lo | Etta Jones | C Major | 1 | 8B | 62 BPM | ||
Nobody Knows | Eddie Condon | E♭ Major | 2 | 5B | 129 BPM | ||
I've got you under my Skin (From 'Born To Dance') | Cole Porter, Stanley Black Orchestra, Stanley Black, Andre Kostelanetz Orchestra, David Rose Orchestra, Eddie Barclay Orchestra, Glenn Osser Orchestra, Gordon Jenkins And Orchestra, Guy Luypaerts Orchestra, Louis Levy Music From The Movies, Mantovani, Percy Faith & His Orchestra, Robert Farnon Orchestra, Sidney Torch Orchestra, The Pittsburgh Strings | B♭ Major | 3 | 6B | 125 BPM | ||
Why was I born (From Sweet Adeline) | Jerome Kern, David Rose Orchestra, David Rose, Andre Kostelanetz Orchestra, Danish State Radio Entertainment Orchestra, Frank Perkins Orchestra, Glenn Osser Orchestra, Gordon Jenkins And Orchestra, The Johnny Douglas Orchestra, Kingsway Promenade Orchestra, Louis Levy Concert Orchestra, Percy Faith Orchestra, Philip Green Concert Orchestra, Ray Martin Concert Orchestra, Robert Farnon Orchestra, Ron Goodwin Concert Orchestra, The Melachrino Orchestra, The Pittsburgh Strings | F Minor | 5 | 4A | 106 BPM |
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