"Why was I born (From Sweet Adeline)" by Jerome Kern, David Rose Orchestra, David Rose, Andre Kostelanetz Orchestra, Danish State Radio Entertainment Orchestra, Frank Perkins Orchestra, Glenn Osser Orchestra, Gordon Jenkins And Orchestra, The Johnny Douglas Orchestra, Kingsway Promenade Orchestra, Louis Levy Concert Orchestra, Percy Faith Orchestra, Philip Green Concert Orchestra, Ray Martin Concert Orchestra, Robert Farnon Orchestra, Ron Goodwin Concert Orchestra, The Melachrino Orchestra, The Pittsburgh Strings was released on August 31, 2008. The duration of Why was I born (From Sweet Adeline) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Why was I born (From Sweet Adeline)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Golden Age of Light Music: Great Light Orchestras Salute George Gershwin & Jerome Kern". In this album, this song's track order is #3. In terms of popularity, Why was I born (From Sweet Adeline) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Why was I born (From Sweet Adeline) by Jerome Kern, David Rose Orchestra, David Rose, Andre Kostelanetz Orchestra, Danish State Radio Entertainment Orchestra, Frank Perkins Orchestra, Glenn Osser Orchestra, Gordon Jenkins And Orchestra, The Johnny Douglas Orchestra, Kingsway Promenade Orchestra, Louis Levy Concert Orchestra, Percy Faith Orchestra, Philip Green Concert Orchestra, Ray Martin Concert Orchestra, Robert Farnon Orchestra, Ron Goodwin Concert Orchestra, The Melachrino Orchestra, The Pittsburgh Strings having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elite Synchopations (1902) | Scott Joplin, Joshua Rifkin | F Major | 2 | 7B | 100 BPM | ||
The Land Where the Good Songs Go | Rebecca Luker, Matthew Scott, Kate Baldwin, Philip Chaffin, Heidi Blickenstaff, Graham Rowat | E♭ Major | 2 | 5B | 145 BPM | ||
君を想いて | BBCビッグバンド | A Major | 1 | 11B | 73 BPM | ||
Hey There | Eddie Heywood | E♭ Major | 1 | 5B | 91 BPM | ||
The Windmills of Your Mind | Antonio Rossi & His Orchestra | E Minor | 2 | 9A | 140 BPM | ||
Prelude and Overture | Alfred Newman, Lee Herschberg | B♭ Major | 3 | 6B | 88 BPM | ||
Old Devil Moon - Moderate Society | Lester Lanin | B♭ Major | 2 | 6B | 147 BPM | ||
Sunny Side Up | Robert Farnon | C Minor | 3 | 5A | 134 BPM | ||
Glamorous Night (From"Glamorous Night") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | C Major | 1 | 8B | 95 BPM | ||
Original Rag | Scott Joplin, Alexander Peskanov | G Major | 2 | 9B | 91 BPM |
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