Six Metamorphoses after Ovide for oboe solo, Op. 49: I. Pan. Senza misura - Benjamin Britten, François Leleux Information

Acousticness: 98%
Danceability: 30%
Energy: 1%
Instrumentalness: 82%
Liveness: 5%
Loudness: 50%
Speechiness: 5%
Valence: 20%
Popularity: 5%
Loudness: -30.023 dB

Summary

Benjamin Britten, François Leleux's 'Six Metamorphoses after Ovide for oboe solo, Op. 49: I. Pan. Senza misura' came out on 1995. The duration of Six Metamorphoses after Ovide for oboe solo, Op. 49: I. Pan. Senza misura is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Six Metamorphoses after Ovide for oboe solo, Op. 49: I. Pan. Senza misura's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Works for Oboe by François Leleux. The song's track number on the album is #16 out of 24 tracks. Based on our statistics, Six Metamorphoses after Ovide for oboe solo, Op. 49: I. Pan. Senza misura's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Six Metamorphoses after Ovide for oboe solo, Op. 49: I. Pan. Senza misura BPM

Since Six Metamorphoses after Ovide for oboe solo, Op. 49: I. Pan. Senza misura by Benjamin Britten, François Leleux has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Six Metamorphoses after Ovide for oboe solo, Op. 49: I. Pan. Senza misura being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Six Metamorphoses after Ovide for oboe solo, Op. 49: I. Pan. Senza misura Key

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
War Requiem, Op. 66 / Requiem aeternam: Ia. Requiem aeternam	Benjamin Britten, London Symphony Chorus, The Bach Choir, Highgate School Choir, Melos Ensemble, Simon Preston, London Symphony Orchestra	A Minor	0	8A	79 BPM
Capriol Suite: 1. Basse-danse	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	D Minor	2	7A	133 BPM
Les Illuminations, Op. 18: X. Départ. Largo mesto	Benjamin Britten, Vladimir Jurowski, London Philharmonic Orchestra, Sally Matthews	B♭ Major	5	6B	124 BPM
Sea Pictures, Op. 37: No. 1, Sea Slumber-Song	Edward Elgar, Alice Coote, Sir Mark Elder, Hallé	C Minor	3	5A	133 BPM
The Salley Gardens	Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey	F♯ Major	1	2B	68 BPM
The Hebrides, Op. 26 "Fingal's Cave"	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	D Major	1	10B	137 BPM
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B♭ Major	0	6B	82 BPM
Prologue: Chorus of Exiled Palestinians	John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus	F Minor	0	4A	90 BPM
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	D Major	2	10B	112 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6923229694366455

End: 0.6994154453277588