Giuseppe Tartini, London Baroque made "Sonata à 3 in D Minor, B. d2: III. Presto" available on March 26, 2013. The duration of Sonata à 3 in D Minor, B. d2: III. Presto is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Sonata à 3 in D Minor, B. d2: III. Presto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Sonata à 3 in D Minor, B. d2: III. Presto is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sonata à 3 in D Minor, B. d2: III. Presto by Giuseppe Tartini, London Baroque having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in G Major: III. Allegro | Giuseppe Tartini, Per Oien, Norwegian Chamber Orchestra | F Minor | 1 | 4A | 179 BPM | ||
Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: I. Largo andante | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Le tombeau de Monsieur de Lully: II. Vif | Jean-Féry Rebel, London Baroque | B Minor | 3 | 10A | 56 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": I. Allamanda | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 2 | 1B | 70 BPM | ||
Recorder Sonata No. 12 in G Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | B Minor | 0 | 10A | 70 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: II. Vivace | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Cantata No. 196, BWV 196 "Der Herr denket an uns": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | B Minor | 1 | 10A | 77 BPM | ||
Trio Sonata in D Major, Op. 5, No. 2, HWV 397: II. Allegro | George Frideric Handel, London Baroque | D♭ Major | 3 | 3B | 126 BPM |
Section: 0.5826482772827148
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