Judith Weir, Christopher Bowen, Edward Goater, Edward Price, BBC Symphony Orchestra, Martyn Brabbins's ' "The Vanishing Bridegroom, Act I: The Dying Man Dies" was released on its scheduled release date, September 2, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #4 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, The Vanishing Bridegroom, Act I: The Dying Man Dies's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since The Vanishing Bridegroom, Act I: The Dying Man Dies by Judith Weir, Christopher Bowen, Edward Goater, Edward Price, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Vanishing Bridegroom, Act I: The Dying Man Dies being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
Pocket Poetry No. 1: III. Daily Issues | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | C Minor | 0 | 5A | 131 BPM | ||
Three Chorales for cello and piano: III. ‘O Sapientia’ | Judith Weir, William Conway, James Willshire | E Minor | 1 | 9A | 93 BPM | ||
Mass for unaccompanied double choir: II. Gloria | Frank Martin, RIAS Kammerchor, Daniel Reuss | A Minor | 1 | 8A | 137 BPM | ||
Variasjoner over Med Jesus vil eg fara: IV. Var 3 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
The Passing of the Year: No. 6. Adieu! farewell earth's bliss! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | B♭ Minor | 0 | 3A | 82 BPM | ||
All shall be Amen and Alleluia | James Whitbourn, Westminster Williamson Voices, Jacob Ezzo, Jonathan Palmer Lakeland, Ken Cowan, James Jordan | C Major | 2 | 8B | 84 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM | ||
Beauty for Ashes | Bob Chilcott, The Elysian Singers, Sam Laughton, Mark Brafield | B♭ Major | 1 | 6B | 61 BPM |