L'Arlésienne Suite No. 2, WD 28: Intermezzo - Georges Bizet, London Symphony Orchestra, Claudio Abbado Information

Acousticness: 99%
Danceability: 8%
Energy: 2%
Instrumentalness: 75%
Liveness: 18%
Loudness: 63%
Speechiness: 5%
Valence: 12%
Popularity: 1%
Loudness: -22.163 dB

Summary

"L'Arlésienne Suite No. 2, WD 28: Intermezzo" by Georges Bizet, London Symphony Orchestra, Claudio Abbado was released on January 1, 1988. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 12 in Bizet: L'Arlésienne Suites Nos.1 & 2; Carmen Suite No.1 by Georges Bizet, London Symphony Orchestra, Claudio Abbado. L'Arlésienne Suite No. 2, WD 28: Intermezzo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

L'Arlésienne Suite No. 2, WD 28: Intermezzo BPM

The tempo marking of L'Arlésienne Suite No. 2, WD 28: Intermezzo by Georges Bizet, London Symphony Orchestra, Claudio Abbado is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

L'Arlésienne Suite No. 2, WD 28: Intermezzo Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle)	Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso	D Major	0	10B	121 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale	Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung	E Major	2	12B	78 BPM
Scheherazade: The Sea & Sinbad's Ship	Nikolai Rimsky-Korsakov, Joakim Svenheden	E Major	1	12B	82 BPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace	Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink	A Major	1	11B	179 BPM
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E♭ Major	0	5B	76 BPM
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante, nous arrivons, nous voilà! "(Chorus)	Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse	F Major	1	7B	130 BPM
Coppélia / Tableau 1: No. 1 Valse	Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge	C Minor	1	5A	75 BPM
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus	Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner	D Minor	4	7A	72 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Scènes bohémiennes la jolie fille de perth: Prélude	Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot	D Major	0	10B	128 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6704258918762207

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