"Aida (1988 Digital Remaster): Qui Radamès verrà... O patria mia" by New Philharmonia Orchestra, Montserrat Caballé, Riccardo Muti was released on 1988. Since Aida (1988 Digital Remaster): Qui Radamès verrà... O patria mia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 12 in Bellini & Verdi: Italian Opera Arias by Montserrat Caballé. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Aida (1988 Digital Remaster): Qui Radamès verrà... O patria mia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aida (1988 Digital Remaster): Qui Radamès verrà... O patria mia by New Philharmonia Orchestra, Montserrat Caballé, Riccardo Muti is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell' invenzione" / Concerto No. 3 in F Major for solo violin, "L'Autunno": 3. Allegro | Antonio Vivaldi, Hugh Bean, New Philharmonia Orchestra, Leopold Stokowski | E♭ Major | 4 | 5B | 108 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Verdi: Aida, Act 2: "Gloria all'Egitto, ad Iside" (Popolo, Sacerdoti) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E♭ Major | 3 | 5B | 93 BPM | ||
Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM | ||
Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
La gazza ladra: Sinfonia | Gioachino Rossini, Virtuosi Brunensis, Alberto Zedda | E Major | 2 | 12B | 93 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM |
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