"String Quartet In F Major, M.35: 2. Assez vif, très rythmé" by Maurice Ravel, Melos Quartet was released on May 8, 2020. String Quartet In F Major, M.35: 2. Assez vif, très rythmé is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. There are a total of 25 in the song's album "Ravel: Essentiel". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, String Quartet In F Major, M.35: 2. Assez vif, très rythmé's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet In F Major, M.35: 2. Assez vif, très rythmé by Maurice Ravel, Melos Quartet having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
The Well-Tempered Clavier: Book I, BWV 846-869: I. Prelude | Johann Sebastian Bach, Pierre-Laurent Aimard | B Minor | 0 | 10A | 95 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | ||
Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 1 | 9A | 81 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM |
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