Marin Marais, François Joubert-Caillet, L'Achéron's '[Pièces en ré mineur]: III. La Paraza (No. 113)' came out on June 9, 2023. With [Pièces en ré mineur]: III. La Paraza (No. 113) being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 3 out of 112. On top of that, Belgium appears to be the country where this track was created. The popularity of [Pièces en ré mineur]: III. La Paraza (No. 113) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Pièces en ré mineur]: III. La Paraza (No. 113) by Marin Marais, François Joubert-Caillet, L'Achéron to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatrième suite in A Minor: No. 3, Gavotte | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 1 | 11A | 94 BPM | ||
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
Ballet des fous et des estropiés de la cervelle: I. Entrée de l'Embabouinée | Anonymous, Le Poème Harmonique, Vincent Dumestre | B♭ Major | 0 | 6B | 128 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Violin Concerto in G Minor, Op. 12, No. 1/RV 317: II. Largo (Arr. for Baroque Ensemble by Martin Ripper) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
Viola da Gamba Suite in D Major: III. Vivace | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 103 BPM | ||
[Suite en la majeur]: II. Allemande (No. 18) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 72 BPM | ||
Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM |
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