Kohsaku Yamada, Timofei Dokshitser, Sergej Solodovnik made "Attente vaine (Waiting in Vain)" available on July 29, 2008. The duration of Attente vaine (Waiting in Vain) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Attente vaine (Waiting in Vain)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Timofei Dokshitser, Sergej Solodovnik's "Japanese Melodies" album is number 7 out of 13. Based on our statistics, Attente vaine (Waiting in Vain)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Attente vaine (Waiting in Vain) by Kohsaku Yamada, Timofei Dokshitser, Sergej Solodovnik to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata in G Major No. 6, Op. 1: IX. Variazione 6 (Recomposed by Luca Astolfoni Fossi) | Anna Bon, Claudio Ferrarini | G Minor | 2 | 6A | 87 BPM | ||
Waltzes, Op. 69: No. 2 in B Minor, B. 35 (Arr. for Cello Quartet by Leszek Kołodziejski) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Much Ado About Nothing Suite, Op. 11 (Version for Violin & Piano): IV. Intermezzo | Erich Wolfgang Korngold, Patrick Savage, Martin Cousin | C Major | 0 | 8B | 86 BPM | ||
Akim's Spirit: 2. Eagle | Raphaël Imbert, Jean-Guihen Queyras, Pierre-François Blanchard, Sonny Troupé | A Major | 0 | 11B | 119 BPM | ||
Préludes, Book 1, L. 117: No. 11, La danse de Puck (Excerpts Arr. J. Corbett & S. Seiler for Clarinet & Harp) | Claude Debussy, Duo Imaginaire | F Minor | 0 | 4A | 143 BPM | ||
O Retorno | Natália Roschel, João Marcondes, Sonoras | A Minor | 1 | 8A | 176 BPM | ||
Violin Concerto No. 1: I. Moderato | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 1 | 9B | 122 BPM | ||
Huldra's Dream | Helena Maria Falk, Bettina Bergström, The Norwegian Radio Orchestra | E Major | 4 | 12B | 163 BPM | ||
Okiri Village | 1985 Games | C Major | 0 | 8B | 174 BPM |
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