"Romeo and Juliet: Love Theme" by Charles Gerhardt, London Philharmonic Orchestra was released on March 25, 2016. The duration of Romeo and Juliet: Love Theme is about 3 minutes long, at 3:10. Based on our data, "Romeo and Juliet: Love Theme" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Tchaïkovsky Party Hits". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Romeo and Juliet: Love Theme is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet: Love Theme by Charles Gerhardt, London Philharmonic Orchestra having a BPM of 56 with a half-time of 28 BPM and a double-time of 112 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tambourin | Francois-Joseph Gossec, James Galway, Charles Gerhardt, National Philharmonic Orchestra | F Major | 2 | 7B | 143 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM | ||
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
Battle in the Forest (From "Star Wars: Episode VI - Return of the Jedi") | John Williams, Charles Gerhardt, National Philharmonic Orchestra | C Major | 4 | 8B | 78 BPM | ||
Concerto for Harmonica and Orchestra: III. Scherzo. Allegro ma non troppo | Michael Spivakovsky, Tommy Reilly, Charles Gerhardt, Munich Radio Orchestra | C Major | 2 | 8B | 161 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Scorrende unite | Giuseppe Verdi, Sir Georg Solti, RCA Italiana Opera Orchestra | A Major | 2 | 11B | 114 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM |
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