"Lovely Tear of Lovely Eye" by Bob Chilcott, Wells Cathedral Choir, Alfie Johnson, Jonathan Vaughn, Matthew Owens was released on March 23, 2012. Lovely Tear of Lovely Eye is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 10 out of 16 in Bob Chilcott: Requiem & Other Choral Works by Bob Chilcott, Wells Cathedral Choir, Matthew Owens. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Lovely Tear of Lovely Eye's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lovely Tear of Lovely Eye by Bob Chilcott, Wells Cathedral Choir, Alfie Johnson, Jonathan Vaughn, Matthew Owens is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Choral songs, Op. 73: No. 2. Serenade | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Considering Matthew Shepard: Passion, 29. Pilgrimage | Craig Hella Johnson, Conspirare | A Major | 0 | 11B | 96 BPM | ||
The Heaven's Flock | Portland State Chamber Choir, Ethan Sperry | E♭ Major | 2 | 5B | 127 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
Der Wassermann | Robert Schumann, Chamber Choir Sireen | F♯ Minor | 0 | 11A | 130 BPM | ||
Missa Wellensis: IV. Agnus Dei | John Tavener, Wells Cathedral Choir, Matthew Owens | G Minor | 0 | 6A | 0 BPM | ||
How can I keep from singing? - SATB | Sarah Quartel, The Oxford Choir | A♭ Major | 1 | 4B | 171 BPM | ||
For lo, I raise up, Op. 145 | Charles Villiers Stanford, Oliver Albert, Sophia Halberstam, Queens' College Choir, Cambridge, Silas Wollston | D♭ Major | 2 | 3B | 170 BPM | ||
Tuttarana (Version for SATB Choir) | Reena Esmail, Notus, Dominick DiOrio | D Major | 1 | 10B | 85 BPM | ||
Aesop's Fables: No. 1. The Hare and the Tortoise | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | G Major | 1 | 9B | 70 BPM |
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