"Tableaux" by Milton Babbitt, Robert Taub was released on 1986. Since Tableaux is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Milton Babbitt, Robert Taub's "Milton Babbitt: Piano Works" album is number 6 out of 9. In terms of popularity, Tableaux is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tableaux by Milton Babbitt, Robert Taub to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In His Own Words | Milton Babbitt, Nina Berman, Steve Beck | G Major | 7 | 9B | 130 BPM | ||
Romance | Toru Takemitsu, Kotaro Fukuma | G Minor | 0 | 6A | 164 BPM | ||
Concerto for Violin & Percussion Orchestra: III. Allegro, vigoroso, poco presto | Lou Harrison, Nicholas Kitchen, New England Conservatory Percussion Ensemble, Frank Epstein, Will McVay, Sean Van Winkle, Nathan Vendel, Luis Herrera Albertazi, Harrison Honor | B Minor | 4 | 10A | 151 BPM | ||
Oboe with Reversal Reflections | Björn Marberg, Winterbjôrn | A♭ Minor | 0 | 1A | 134 BPM | ||
Violin Concerto: I. Praeludium | György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 1 | 8B | 138 BPM | ||
Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
3 Places in New England: No. 2 Putnam's Camp, Redding, Connecticut | Charles Ives, Orpheus Chamber Orchestra, Gilbert Kalish | C Minor | 3 | 5A | 121 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
Suite for Violin and Piano, Op. 6: II. Moto perpetuo | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM |
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