Willem de Fesch, Teun & Teun made "Sonata No. 3 in G Major: II. Allamanda" available on June 2, 2023. The duration of Sonata No. 3 in G Major: II. Allamanda is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Sonata No. 3 in G Major: II. Allamanda's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Unico". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Sonata No. 3 in G Major: II. Allamanda is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sonata No. 3 in G Major: II. Allamanda by Willem de Fesch, Teun & Teun having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Telemann: Tafelmusik, Pt. 3, Ouverture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 130 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM | ||
Sonata for 2 Violins & Viola in E-Flat Major, RV 130 "Suonata a 4 al Santo Sepolcro": I. Largo molto | Antonio Vivaldi, Insieme Strumentale di Roma, Giorgio Sasso | D Major | 0 | 10B | 95 BPM | ||
Concerto for Violin and Oboe in C Minor, BWV 1060R (Version for Two Violins): II. Adagio | Johann Sebastian Bach, Amsterdam Sinfonietta, Simone Lamsma, Candida Thompson | B♭ Minor | 0 | 3A | 82 BPM | ||
Violin Concerto in F Major "Il Proteo o sia il mondo al rovescio", RV 544: II. Largo | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 0 | 8B | 101 BPM | ||
Organ Concerto in G Major, BWV 592 (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): III. Presto | Johann Sebastian Bach, Holland Baroque | F♯ Major | 2 | 2B | 120 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
Sonata terza in G minor, Parte Prima: III. Lento | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Sonata No.9 in D Minor, Op. 8: II. Allemanda | Willem de Fesch, Armin Rosin, Franz Lehrndorfer | D Major | 0 | 10B | 114 BPM |
Section: 0.593212366104126
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