"Cantata No. 6, Op. 157 "Flower Songs": No. 5, A Yellow Flower" by Vincent Persichetti, Dale Warland Singers, Joanna Shelton, Margaret Humphrey, Elizabeth Cregan, Laura Sewell, David Berg, Dale Warland was released on July 20, 2018. The duration of Cantata No. 6, Op. 157 "Flower Songs": No. 5, A Yellow Flower is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Cantata No. 6, Op. 157 "Flower Songs": No. 5, A Yellow Flower's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Seasons". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Cantata No. 6, Op. 157 "Flower Songs": No. 5, A Yellow Flower's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantata No. 6, Op. 157 "Flower Songs": No. 5, A Yellow Flower by Vincent Persichetti, Dale Warland Singers, Joanna Shelton, Margaret Humphrey, Elizabeth Cregan, Laura Sewell, David Berg, Dale Warland having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): V. Dance of the Tumblers | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
Prelude, Siciliano & Rondo: Prelude | Malcolm Arnold, The Trade Winds, Daniel Schmidt | B♭ Major | 1 | 6B | 124 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
Rush | Samuel R. Hazo, University of Saskatchewan - Wind Orchestra | F Major | 4 | 7B | 154 BPM | ||
Octet for Wind Instruments : I. Sinfonia | Igor Stravinsky, Eastman Wind Ensemble, Mark Scatterday | A Minor | 6 | 8A | 99 BPM | ||
Symphony No. 1 "Jeremiah": II. Profanation | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Windsprints | Richard Saucedo, Midwest Wind Ensemble | F Major | 4 | 7B | 179 BPM | ||
Trumpet Concerto, Op. 18: III. Allegretto - Rondo: Allegro scherzando | Oskar Böhme, Giuliano Sommerhalder, Westphalia New Philharmonic Orchestra, Heiko-Mathias Forster | E Major | 3 | 12B | 133 BPM | ||
Candide Suite (arr. C. Grundman for wind band): III. Auto-da-fe | Leonard Bernstein, Clare Grundman, University of South Carolina Wind Ensemble, Scott Weiss | C Major | 4 | 8B | 108 BPM | ||
Fantasia for Alto Saxophone | Claude T. Smith, James Barger, West Texas A & M University Symphonic Band, Donald Lefevre | F Minor | 1 | 4A | 139 BPM |
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