"I Was Glad" by Hubert Parry, Choir of King's College, Cambridge, James Vivian, Robert Quinney, Stephen Cleobury was released on January 1, 1998. Since I Was Glad is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "The King's Collection". In this album, this song's track order is #1. I Was Glad is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Was Glad by Hubert Parry, Choir of King's College, Cambridge, James Vivian, Robert Quinney, Stephen Cleobury having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Passing of the Year: No. 5. Ah, Sun-flower! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Major | 1 | 2B | 104 BPM | ||
Lady Radnor Suite: Allemande | Hubert Parry, Philharmonia Orchestra, Patrick Hawes | F Major | 1 | 7B | 126 BPM | ||
Mass in D major, Op. 86: 2. Gloria | Antonín Dvořák, Neil Ritchie, Andrew Giles, Alan Byers, Robert Morton, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston | E Major | 0 | 12B | 145 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
No longer mourn for me | Hubert Parry, Ian Bostridge, Julius Drake | F Minor | 0 | 4A | 86 BPM | ||
Requiem: Introitus | Carl Rütti, Olivia Robinson, Edward Price, The Bach Choir, Jane Watts, Southern Sinfonia, David Hill | E Major | 0 | 12B | 134 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
In stiller Nacht | Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger | D Major | 0 | 10B | 90 BPM | ||
Grand March from Aida (Act II, Scene 2) | Giuseppe Verdi, Philadelphia Orchestra, Eugene Ormandy | E♭ Major | 2 | 5B | 114 BPM |
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