"Евгений Онегин, соч. 24, действие I картина 1: Вступление" by Boris Khaikin, Борис Хайкин, Оркестр Большого театра was released on January 1, 2011. The duration of Евгений Онегин, соч. 24, действие I картина 1: Вступление is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Евгений Онегин, соч. 24, действие I картина 1: Вступление's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Чайковский: Евгений Онегин, соч. 24, so we believe that "Евгений Онегин, соч. 24, действие I картина 1: Вступление" is a single. The popularity of Евгений Онегин, соч. 24, действие I картина 1: Вступление is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Евгений Онегин, соч. 24, действие I картина 1: Вступление by Boris Khaikin, Борис Хайкин, Оркестр Большого театра is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
Фауст: Вальс | Шарль Франсуа Гуно, Boris Khaikin, Борис Хайкин, Оркестр Большого театра | D Major | 2 | 10B | 80 BPM | ||
Tristan und Isolde, WWV 90, Act II Scene 2: Einsam wachend in der Nacht | Richard Wagner, Janina Baechle, Nina Stemme, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst | B Major | 1 | 1B | 67 BPM | ||
Tchaikovsky: Eugene Onegin: Vot tak syurpriz! - Act Two | Ivan Petrov, Chorus of the Bolshoi Theatre, Georgi Pankov, Eugene Belov, Galina Vishnevskaya | D Major | 2 | 10B | 115 BPM | ||
Eugene Onegin, Op. 24, Act I Scene 3: No. 12a, Scene "Zdes on, zdes Evgeniy" | Galina Vishnevskaya, Boris Khaikin, Оркестр Большого театра | D Minor | 1 | 7A | 87 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 97 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
Die Meistersinger von Nürnberg - Act 3: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 0 | 9B | 69 BPM | ||
Травиата: Ария Жермона "Di Provenza il mar, il suol chi dal cor ti cancellò?" | Джузеппе Верди, Николай Кондратюк, Boris Khaikin, Борис Хайкин, Оркестр Большого театра | D♭ Major | 2 | 3B | 94 BPM |
Section: 0.6788690090179443
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