"Downing Service: II. Nunc dimittis" by Bob Chilcott, Matthew Owens, Jonathan Vaughn, Wells Cathedral Choir was released on March 23, 2012. With this song being about 5 minutes long, at 4:33, "Downing Service: II. Nunc dimittis" by Bob Chilcott, Matthew Owens, Jonathan Vaughn, Wells Cathedral Choir is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 16 in Bob Chilcott: Requiem & Other Choral Works by Bob Chilcott, Wells Cathedral Choir, Matthew Owens. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Downing Service: II. Nunc dimittis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Downing Service: II. Nunc dimittis by Bob Chilcott, Matthew Owens, Jonathan Vaughn, Wells Cathedral Choir is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Learned Poets - Mixed voices | Bob Chilcott, The Oxford Choir | B♭ Major | 2 | 6B | 131 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 72 BPM | ||
Even When He Is Silent | Kim André Arnesen, Chamber Choir of London, Dominic Ellis-Peckham | B Major | 1 | 1B | 78 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Considering Matthew Shepard: Passion, 29. Pilgrimage | Craig Hella Johnson, Conspirare | A Major | 0 | 11B | 96 BPM | ||
The Lily and the Rose - SATB | Bob Chilcott, The Oxford Choir | A Minor | 1 | 8A | 76 BPM |
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