Juan Pablo Jofre Romarion, Seunghee Lee, JP Jofre, London Symphony Orchestra, Enrico Fagone's 'Double Concerto for Clarinet and Bandoneon, II. La Noche' came out on August 26, 2022. Since Double Concerto for Clarinet and Bandoneon, II. La Noche is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 10 in Aspire by Juan Pablo Jofre Romarion, Seunghee Lee, JP Jofre, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Double Concerto for Clarinet and Bandoneon, II. La Noche is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Double Concerto for Clarinet and Bandoneon, II. La Noche by Juan Pablo Jofre Romarion, Seunghee Lee, JP Jofre, London Symphony Orchestra, Enrico Fagone is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O magnum mysterium (Version for Violin and Piano) | Morten Lauridsen, Hans Christian Aavik, Karolina Aavik | D Major | 0 | 10B | 79 BPM | ||
SDE | Favos | D Minor | 3 | 7A | 161 BPM | ||
Hosokawa: 2 Japanese Folksongs: II. Itsuki no komori uta | Toshio Hosokawa, Emmanuel Pahud, Christian Rivet | G Minor | 0 | 6A | 108 BPM | ||
Piano Trio in A Major, Posth.: II. Vivace | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Csárdás | Philharmonix | D Major | 3 | 10B | 97 BPM | ||
8 Valses poéticos, H. 136 (Arr. for Cello & Guitar by Anonymous): No. 1, Melodico | Enrique Granados, André Fischer, Sébastien Singer | A Major | 1 | 11B | 108 BPM | ||
紫の炎 | Ritchie Blackmore, Jon Lord, イアン・ペイス, デイヴィッド・カヴァデール, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM |
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