Hermann Prey made "Deutsche Volks- Und Wanderlieder:" available on 2003. With Deutsche Volks- Und Wanderlieder: being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Great Moments Of Hermann Prey" album is number 14 out of 68. Deutsche Volks- Und Wanderlieder: is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Deutsche Volks- Und Wanderlieder: by Hermann Prey to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Es muss ein Wunderbares sein, S. 314 | Franz Liszt, Hermann Prey, Leonard Hokanson | E♭ Major | 0 | 5B | 89 BPM | ||
Ergo bibamus | Max Eberwein, Hermann Prey, Orchestra, Fried Walter, Choir | B♭ Major | 4 | 6B | 119 BPM | ||
Der Zarewitsch: Es steht ein Soldat am Wolgastrand (Wolgalied) | Fritz Wunderlich, Alois Melichar | B♭ Major | 2 | 6B | 96 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Liebe Lied und Musikant | Heinrich Marschner, Hermann Prey, Michael Krist | B♭ Minor | 1 | 3A | 87 BPM | ||
Liebeszauber (Mädel, schau mir ins Gesicht) | Johann Abraham Peter Schulz, Hermann Prey, Jörg Demus | G Major | 1 | 9B | 88 BPM | ||
Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" | Johann Strauss II, Julia Varady, Ferry Gruber, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 85 BPM | ||
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano | E♭ Major | 1 | 5B | 93 BPM | ||
Die tote Stadt: Act II: Da ihr befehlet, Königin (Pierrot Lied) | Erich Wolfgang Korngold, Erich Leinsdorf, René Kollo, Carol Neblett, Hermann Prey, Willi Brokmeier | D♭ Major | 3 | 3B | 84 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM |
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