"Satie: 6 Gnossiennes: No. 1, Lent" by Erik Satie, Anne Queffélec was released on January 1, 1988. The duration of Satie: 6 Gnossiennes: No. 1, Lent is about 3 minutes long, at 3:25. Based on our data, "Satie: 6 Gnossiennes: No. 1, Lent" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 53 in the song's album "Satie: Gymnopédies, Gnossiennes & Other Piano Works". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Satie: 6 Gnossiennes: No. 1, Lent is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Satie: 6 Gnossiennes: No. 1, Lent by Erik Satie, Anne Queffélec having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evening of Roses (Arr. Hodge for Cello, Clarinet & Ensemble) | Josef Hadar, Sheku Kanneh-Mason, Oliver Janes, CBSO Cellos | B♭ Major | 2 | 6B | 103 BPM | ||
Spring 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | E Major | 3 | 12B | 111 BPM | ||
Serenade for Strings (Tempo di valse) | Antonín Dvořák, Capella Istropolitana, Jaroslav Krcek | G Major | 0 | 9B | 129 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di Valse | Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra | A Major | 0 | 11B | 170 BPM | ||
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
Spiegel im Spiegel | Arvo Pärt, Lisa Batiashvili, Hélène Grimaud | F Major | 0 | 7B | 75 BPM | ||
Gnossienne No. 3 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | E Minor | 0 | 9A | 67 BPM |
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