Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard's 'Carnival of the Animals, R. 125: V. The Elephant' came out on July 2, 1990. With Carnival of the Animals, R. 125: V. The Elephant being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Prokofiev: Peter and the Wolf - Saint-Saëns: Carnival of the Animals". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Carnival of the Animals, R. 125: V. The Elephant is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carnival of the Animals, R. 125: V. The Elephant by Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: L'Arlésienne, Suite No. 2 (Arr. E. Guiraud): IV. Farandole (Allegro deciso. Tempo di Marcia) | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 5 | 10B | 77 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis | D♭ Major | 2 | 3B | 77 BPM | ||
Sylvia: Balletmusic: Pizzikato | Moscow RTV Symphony Orchestra, Fuat Mansurov | E♭ Major | 2 | 5B | 154 BPM | ||
Symphony No. 1 in E-Flat Major *: II. Prestissimo | Alexander Borodin, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Major | 2 | 10B | 130 BPM | ||
Aida: Triumph-Marsch | Slowakisches Radio-Symphonieorchester Bratislava, Ondrej Lenard | E♭ Major | 2 | 5B | 108 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
The Sleeping Beauty, Op. 66, TH 13: Marche | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia | B♭ Minor | 0 | 3A | 79 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 2, Allegro tranquillo e grazioso | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | E Major | 1 | 12B | 73 BPM | ||
Symphony No. 94 in G major Hob 1/94 "Surprise": II. Andante | Joseph Haydn, Bamberg Symphony, Alfred Scholz | C Major | 0 | 8B | 119 BPM | ||
Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM |
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