The Sleeping Beauty, Op. 66, TH 13: Marche
Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia
Tchaikovsky: Sleeping Beauty
5:22 1992
BPM
79
Key
B♭ Minor
Camelot
3A

Embed

Share Link

The Sleeping Beauty, Op. 66, TH 13: Marche - Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia Information

Acousticness
98%
Danceability
9%
Energy
4%
Instrumentalness
28%
Liveness
11%
Loudness
57%
Speechiness
5%
Valence
4%
Popularity
Loudness
-25.671 dB

Summary

"The Sleeping Beauty, Op. 66, TH 13: Marche" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia was released on 1992. With this song being about 5 minutes long, at 5:22, "The Sleeping Beauty, Op. 66, TH 13: Marche" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Tchaikovsky: Sleeping Beauty". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The Sleeping Beauty, Op. 66, TH 13: Marche is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Sleeping Beauty, Op. 66, TH 13: Marche BPM

With The Sleeping Beauty, Op. 66, TH 13: Marche by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Sleeping Beauty, Op. 66, TH 13: Marche Key

This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Leichtes Blut ,Polka by Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Oliver von DohnanyiLeichtes Blut ,PolkaJohann Strauss II, Polish State Philharmonic Orchestra, Katowice, Oliver von DohnanyiC Major48B167 BPM
Symphony No. 104 in D Major, Hob.I:104, Symphony No. 104 in D Major, Hob.I:104, "London": IV. Finale: SpiritosoFranz Joseph Haydn, Capella Istropolitana, Barry WordsworthD Major210B136 BPM
Alpine Rose - Polka Op. 127 by Eduard Strauss, Hallé, Bramwell ToveyAlpine Rose - Polka Op. 127Eduard Strauss, Hallé, Bramwell ToveyC Major08B112 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinC Major08B65 BPM
Swan Lake, Op.20, TH.12 / Act 4: No.27 Danses des petits cygnes (Moderato) by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles DutoitSwan Lake, Op.20, TH.12 / Act 4: No.27 Danses des petits cygnes (Moderato)Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles DutoitB♭ Minor03A81 BPM
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka by Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo JärviShostakovich: Suite from the Age of Gold, Op. 22: II. PolkaDmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo JärviD Minor17A91 BPM
Soirees musicales, Op. 9: V. Tarantella by Benjamin Britten, Helsingborg Symphony Orchestra, Okko KamuSoirees musicales, Op. 9: V. TarantellaBenjamin Britten, Helsingborg Symphony Orchestra, Okko KamuB♭ Major26B80 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 2 (Arr. E. Guiraud): V. La garde montanteGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Minor04A60 BPM
Raymonda, Act I: Valse fantastique by Alexander Glazunov, Kivov Orchestra, Viktor FedotovRaymonda, Act I: Valse fantastiqueAlexander Glazunov, Kivov Orchestra, Viktor FedotovF Major17B180 BPM
Le Corsaire: Act II - Le Corsaire: Act II - "4. Grand Pas: Variation: Ali"Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie HolmesA♭ Major14B121 BPM
ISRC
USB8U1701624
Label
L-M Records/RCA Records

Section: 0.6366746425628662

End: 0.644078254699707