"Im Kreuzgang von St-Stefano" by Othmar Schoeck, Gunnel Sköld, Jan Bülow was released on 2001. With Im Kreuzgang von St-Stefano being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Othmar Schoeck: Mit einem gemalten Band, Lieder". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Switzerland. The popularity of Im Kreuzgang von St-Stefano is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Im Kreuzgang von St-Stefano by Othmar Schoeck, Gunnel Sköld, Jan Bülow having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Theme | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Concerto for Cello and Wind Orchestra: II. Romance | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
String Quartet No. 16 in F Major, Op. 135: II. Vivace | Ludwig van Beethoven, Cleveland Quartet | F Major | 3 | 7B | 94 BPM | ||
Concerto for Violin, Piano and Orchestra, H. 342: I. Poco allegro | Bohuslav Martinů, Miroslav Sekera, Prague Radio Symphony Orchestra, Josef Spacek | B♭ Major | 2 | 6B | 107 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
Abbey Road concerto for Violin and Orchestra: II. Come together | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Minor | 2 | 8A | 104 BPM | ||
O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Auf Flügeln des Gesanges, Op. 34, No. 2 | Felix Mendelssohn, Heinrich Heine, Liv Glaser, Helene Wold | D Minor | 0 | 7A | 74 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Pocket Poetry No. 1: II. I Feel so Calm | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | C Minor | 0 | 5A | 131 BPM |
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