Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Plácido Domingo, Walter Gullino, Bruno Grella, Paul Friess, Bavarian State Orchestra, Carlos Kleiber's 'La Traviata / Act 2: "Alfredo! Voi!"' came out on January 1, 1977. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber. The song's track number on the album is #4 out of 38 tracks. In terms of popularity, La Traviata / Act 2: "Alfredo! Voi!" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since La Traviata / Act 2: "Alfredo! Voi!" by Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Plácido Domingo, Walter Gullino, Bruno Grella, Paul Friess, Bavarian State Orchestra, Carlos Kleiber has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Traviata / Act 2: "Alfredo! Voi!" being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse, HWV 40, Act I Scene 13: Aria. Sapra delle mie offese (Amastre) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
Simon Boccanegra / Prologue: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro) | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Minor | 3 | 8A | 102 BPM | ||
Carmen / Act 2: "La fleur que tu m'avais jetée" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | E Major | 1 | 12B | 87 BPM | ||
Serse, HWV 40, Act I Scene 3: Duetto. Lo le diro che l'amo (Serse, Arsamene) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
4 Sacred Pieces (Quattro pezzi sacri): Ave Maria | Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch | G Major | 0 | 9B | 81 BPM | ||
Serse, HWV 40, Act I Scene 1: Aria. Ombra mai fu, "Largo" (Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | F Major | 1 | 7B | 163 BPM | ||
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Serse, HWV 40, Act I Scene 11: Aria. Più che penso alle fiamme (Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
Die Fledermaus / Act 3: Nr.16 Finale: "O Fledermaus, o Fledermaus" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, René Kollo, Hermann Prey, Benno Kusche, Bernd Weikl, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 81 BPM |
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