"How Do I Love Thee" by Edouard Lippé, Elizabeth Barrett Browning, Laura Enflo, Per Enflo was released on February 24, 2023. The duration of How Do I Love Thee is about 3 minutes long, at 3:25. Based on our data, "How Do I Love Thee" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Laura Enflo, Per Enflo's "Great songs, great lyrics" album is number 4 out of 11. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, How Do I Love Thee's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of How Do I Love Thee by Edouard Lippé, Elizabeth Barrett Browning, Laura Enflo, Per Enflo to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Child of our Time, Part II: A Spiritual of Anger. Go down, Moses (Bass, Chorus) | Michael Tippett, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | F Major | 1 | 7B | 67 BPM | ||
Puts: The Hours, Act 1: "Platters! - What’s That, Babe?" (Clarissa, Sally, Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Denyce Graves, Metropolitan Opera Chorus, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
12 Romances, Op. 14: No. 11, Spring Waters | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
Shostakovich: Symphony No. 14 in G Minor, Op. 135: II. Malagueña | Dmitri Shostakovich, Berliner Philharmoniker, Sir Simon Rattle, Karita Mattila | D♭ Major | 0 | 3B | 65 BPM | ||
Parysatis: Le Rossignol et la Rose | Camille Saint-Saëns, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Tout un monde lointain…: I. Énigme | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Czyż: Pożegnania: No. 1, Kochałem Panią | Henryk Czyz, Jakub Józef Orliński, Michał Biel | D♭ Minor | 3 | 12A | 71 BPM | ||
Spring Symphony, Op. 44, Part II: Waters Above (Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
Charpentier: Te Deum, H. 146: V. Te per orbem terrarum | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll | D Major | 0 | 10B | 87 BPM |
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