"Nocturnes, Op. 15: II. Larghetto (Arr. for Cello & Piano by Julian Riem)" by Frédéric Chopin, Olga Scheps, Raphaela Gromes was released on May 10, 2024. The duration of Nocturnes, Op. 15: II. Larghetto (Arr. for Cello & Piano by Julian Riem) is about 3 minutes long, at 3:19. Based on our data, "Nocturnes, Op. 15: II. Larghetto (Arr. for Cello & Piano by Julian Riem)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 6 in Chopin Nocturnes by Frédéric Chopin, Olga Scheps, Raphaela Gromes. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Nocturnes, Op. 15: II. Larghetto (Arr. for Cello & Piano by Julian Riem) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturnes, Op. 15: II. Larghetto (Arr. for Cello & Piano by Julian Riem) by Frédéric Chopin, Olga Scheps, Raphaela Gromes is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Autumn in Princes Garden | Miriam Hyde, Bridget Bolliger, Andrew West | A Minor | 1 | 8A | 74 BPM | ||
Salut d'amour, Op. 12 (Arr. for Cello & Piano by Anonymous) | Edward Elgar, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
How Can the Tree but Wither? (Version for Cello & Piano) | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
How Fair This Spot, Op. 21 No. 7 (Transcribed for cello and piano) | Dmitri Shostakovich, Boris Andrianov, Rem Urasin | A♭ Major | 1 | 4B | 107 BPM | ||
Much ado about nothing, Op.11: III. Garden Scene (Arr. for Violin and Piano by Heifetz) | Erich Wolfgang Korngold, 대니 구(Danny Koo) | B Minor | 3 | 10A | 80 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | F Minor | 2 | 4A | 140 BPM | ||
12 Études, Op. 10: No. 6 in E-Flat Minor (Arr. for Cello and Piano by A. Glazunov) | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 2 | 10B | 176 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: III. Allegro con sentimento – | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
Elegi, H. 47 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM |
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