Johann Sebastian Bach, Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine's 'The Art of Fugue, BWV 1080: Contrapunctus I - Arr. for Flute Quartet' came out on January 1, 1998. The duration of The Art of Fugue, BWV 1080: Contrapunctus I - Arr. for Flute Quartet is about 3 minutes long, at 3:05. Based on our data, "The Art of Fugue, BWV 1080: Contrapunctus I - Arr. for Flute Quartet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 20 in Armonia di Flauti: Bach, Vivaldi (Arr. for Flute Quartet) by Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, The Art of Fugue, BWV 1080: Contrapunctus I - Arr. for Flute Quartet's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Art of Fugue, BWV 1080: Contrapunctus I - Arr. for Flute Quartet by Johann Sebastian Bach, Flanders Recorder Quartet, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 3. Fuga (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 3 | 8B | 103 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM |
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