"Bach, JS / Arr. Veyron-Lacroix: Meine Seufzer, meine Tränen, BWV 13: No. 5, Aria. "Ächzen und erbärmlich Weinen"" by Johann Sebastian Bach, Jean-Pierre Rampal, Dietrich Fischer-Dieskau, Jacques Neilz, Robert Veyron-Lacroix was released on January 7, 2022. Since Bach, JS / Arr. Veyron-Lacroix: Meine Seufzer, meine Tränen, BWV 13: No. 5, Aria. "Ächzen und erbärmlich Weinen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 57 in the song's album "The Flute Master". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United Kingdom. The popularity of Bach, JS / Arr. Veyron-Lacroix: Meine Seufzer, meine Tränen, BWV 13: No. 5, Aria. "Ächzen und erbärmlich Weinen" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bach, JS / Arr. Veyron-Lacroix: Meine Seufzer, meine Tränen, BWV 13: No. 5, Aria. "Ächzen und erbärmlich Weinen" by Johann Sebastian Bach, Jean-Pierre Rampal, Dietrich Fischer-Dieskau, Jacques Neilz, Robert Veyron-Lacroix having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Well-Tempered Clavier, Book 2: Prelude No. 12 in F Minor, BWV 881 - Upon Piano Roll Welte-Mignon 544, Issued 1905 | Johann Sebastian Bach, Raoul Stéphane Pugno | F Minor | 0 | 4A | 74 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Sonata in C Major, Kk. 159 | Domenico Scarlatti, Daniel Barenboim | C Major | 1 | 8B | 177 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM |
Section: 0.7011992931365967
End: 0.7048611640930176