"Juditha triumphans devicta Holofernes barbarie, RV 644: Part I: Aria: Sede, o cara (Holofernes)" by Antonio Vivaldi, Barbara di Castri, Lucia Sciannimanico, Nicki Kennedy, Alessandra Rossi, Rowena Anketell, Coro da Camera Italiano, Modo Antiquo, Federico Maria Sardelli had its release date on January 1, 2013. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi: Juditha triumphans devicta Holofernes barbarie by Antonio Vivaldi, Modo Antiquo, Federico Maria Sardelli. The song's track number on the album is #17 out of 55 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Juditha triumphans devicta Holofernes barbarie, RV 644: Part I: Aria: Sede, o cara (Holofernes) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Juditha triumphans devicta Holofernes barbarie, RV 644: Part I: Aria: Sede, o cara (Holofernes) by Antonio Vivaldi, Barbara di Castri, Lucia Sciannimanico, Nicki Kennedy, Alessandra Rossi, Rowena Anketell, Coro da Camera Italiano, Modo Antiquo, Federico Maria Sardelli has a tempo of 173 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Juditha triumphans devicta Holofernes barbarie, RV 644: Part I: Aria: Sede, o cara (Holofernes) being at 173 BPM, the half-time would be 86 BPM with a double-time of 346 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM | ||
Sinfonia in C major, RV 112: III. Presto | Karoly Botvay | C Major | 2 | 8B | 116 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM |