George Frideric Handel, John Eliot Gardiner, English Baroque Soloists's 'Handel: Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: II. Andante' came out on October 1, 1990. The duration of Handel: Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: II. Andante is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Handel: Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, John Eliot Gardiner, Monteverdi Orchestra, English Baroque Soloists's "Handel : Water Music, Concerti grossi, Israel in Egypt, The Ways of Zion Do Mourn & Semele" album is number 23 out of 142. In terms of popularity, Handel: Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: II. Andante is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Concerto Grosso in F Major, Op. 3 No. 4a, HWV 315: II. Andante by George Frideric Handel, John Eliot Gardiner, English Baroque Soloists to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Minor: I. Introduzione - Larghetto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Minor | 1 | 5A | 126 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | ||
Alcina, HWV 34 / Act II: "Verdi prati" (Arr. for Oboe d'amore, Strings and Basso Continuo) | George Frideric Handel, Albrecht Mayer, Jakub Haufa, Monika Razynska, Sinfonia Varsovia | D Minor | 2 | 7A | 176 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | Dâ™ Minor | 0 | 12A | 114 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM |
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