On July 15, 2014, the song "Postcard Greetings: No. 4. The Austrian village band" was released by Jenö Takács, Attila Szabó, Gyor Dodici Chamber Orchestra. With Postcard Greetings: No. 4. The Austrian village band being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 19 in the song's album "Takacs: Postcard Greetings / American Rhapsody / Serenade / Passacaglia". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hungary. Based on our statistics, Postcard Greetings: No. 4. The Austrian village band's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Postcard Greetings: No. 4. The Austrian village band by Jenö Takács, Attila Szabó, Gyor Dodici Chamber Orchestra having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Femina Feminae I. Bergère Nue Couchée | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
The Autumn Leaves | Winfred Jeremiah | D Minor | 1 | 7A | 90 BPM | ||
Po zarostlém chodníčku - Series I: III. Pojďte s námi! | Leoš Janáček, Gianluigi Daniele | A♭ Minor | 0 | 1A | 72 BPM | ||
Concertino für Tuba und Klavier: I. Bewegt | Joseph Bartz, Hans Tönnies | E♭ Major | 0 | 5B | 94 BPM | ||
Malta Suite for Clarinet and Piano: I. Il qarinza | Charles Camilleri, David Campbell, Julian Jacobson | G Major | 1 | 9B | 110 BPM | ||
Concerto for Flute and String Orchestra: I. Andante cantabile – Allegro scherzando | André Jolivet, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | G Major | 0 | 9B | 73 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 16, Allegretto | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
French Quadrilogy: No. 1, The Girl on a Flaxen Horse | Aivars Kalējs, Trio NYX | D♭ Major | 2 | 3B | 151 BPM | ||
Postcard Greetings: No. 3. Serenata Italiana | Jenö Takács, Attila Szabó, Gyor Dodici Chamber Orchestra | C Minor | 5 | 5A | 143 BPM |
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