"String Quintet in C Major, Op. 29: II. Adagio molto espressivo" by Ludwig van Beethoven, Academy of St. Martin in the Fields was released on March 1, 1999. Since String Quintet in C Major, Op. 29: II. Adagio molto espressivo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 10 in Beethoven: Quintet in C Major & Septet by Ludwig van Beethoven, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. String Quintet in C Major, Op. 29: II. Adagio molto espressivo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quintet in C Major, Op. 29: II. Adagio molto espressivo by Ludwig van Beethoven, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 1 in F Minor, Op. 2 No. 1, op. 2/1: II. Adagio | Ludwig van Beethoven, Solomon | F Major | 0 | 7B | 82 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "On a G String" (Arr. for Piano) | Johann Sebastian Bach, Lang Lang | D Major | 0 | 10B | 115 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | B Major | 0 | 1B | 81 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | E Major | 1 | 12B | 101 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: Introduction - No. 1, Scene. Allegro giusto | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 3 | 10B | 75 BPM |
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