"Sinfonia for Strings, Op. 53: I. Con moto" by Kurt Atterberg, Camerata Nordica, Ulf Wallin was released on January 1, 2005. Since Sinfonia for Strings, Op. 53: I. Con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 15 in Atterberg: Sinfonia for Strings / Adagio Amoroso / Suite No. 7 / Intermezzo / Prelude and Fugue by Kurt Atterberg, Ulf Wallin. In terms of popularity, Sinfonia for Strings, Op. 53: I. Con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia for Strings, Op. 53: I. Con moto by Kurt Atterberg, Camerata Nordica, Ulf Wallin is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in C Major, Op. 31, "Dollar Symphony'': I. Moderato | Kurt Atterberg, Hannover Radio Philharmonic Orchestra, Ari Rasilainen | G Minor | 2 | 6A | 116 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Masques et bergamasques Suite, Op. 112: I. Ouverture: Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F Major | 1 | 7B | 133 BPM | ||
Symphony No. 1 in E Major: I. Alla breve | Hans Rott, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 89 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
String Quartet No. 3 in D Major, Op. 39: IV. Allegro deciso | Kurt Atterberg, Stenhammar Quartet | G Major | 3 | 9B | 97 BPM | ||
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B♭ Major | 1 | 6B | 96 BPM | ||
Soirees musicales, Op. 9: II. Canzonetta | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 1 | 11B | 123 BPM |
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