"Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: Prologue en deux parties" by Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz was released on March 9, 2010. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 16 in Franck & Gounod: Sept paroles du Christ en croix by Michel Corboz, Ensemble Vocal de Lausanne. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: Prologue en deux parties is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: Prologue en deux parties by Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust / Act 2: No.7 Ronde du veau d'or: "Le veau d'or" | Charles Gounod, René Pape, Staatskapelle Dresden, Sebastian Weigle, Men's Chorus of the Dresden State Opera Chorus, Ulrich Paetzholdt | F Minor | 4 | 4A | 119 BPM | ||
Tchaikovsky : String Quartet No.1 in D major, Op.11 : II Andante cantabile | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantin Orbelian, Moscow Chamber Orchestra | B Major | 1 | 1B | 94 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Four Seasons Variation (Arr. for Piano from Violin Concerto, RV 297, "Winter": II. Largo by Svetoslav Karparov) | Antonio Vivaldi, Olga Scheps | D♭ Major | 0 | 3B | 164 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM |
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