Igor Stravinsky, Olli Mustonen, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy made "Movements For Piano & Orchestra: 1. I" available on January 1, 1993. The duration of Movements For Piano & Orchestra: 1. I is about 3 minutes long, at 3:16. Based on our data, "Movements For Piano & Orchestra: 1. I" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Stravinsky: Concerto for Piano & Winds/Ebony Concerto/Capriccio/Movements". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Movements For Piano & Orchestra: 1. I is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Movements For Piano & Orchestra: 1. I by Igor Stravinsky, Olli Mustonen, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variation 8: Presto non troppo | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | E Major | 1 | 12B | 90 BPM | ||
2 Pieces for Cello & Orchestra, Op. 20: No. 2, Sérénade espagnole | Alexander Glazunov, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | D Major | 2 | 10B | 99 BPM | ||
Concerto for String Orchestra: I. Allegro | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | C Major | 2 | 8B | 125 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Dance of the Earth | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | G Major | 8 | 9B | 79 BPM | ||
Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. V: Allegro moderato | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | A Major | 0 | 11B | 107 BPM | ||
Rapsodie espagnole, M.54: 3. Habanera | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D♭ Major | 0 | 3B | 75 BPM | ||
L'Oiseau de feu, K010: III. Apparition de l’oiseau de feu, poursuivi par Ivan Tsarevitch | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Minor | 0 | 6A | 78 BPM | ||
Sextet, FP 100: Divertissement: Andantino | Francis Poulenc, Philippe Bernold, Olivier Doise, Hervé Joulain, Ronald Van Spaendonck, Alexandre Tharaud, Laurent Lefèvre | E♭ Major | 0 | 5B | 135 BPM | ||
Le marteau sans maître: "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | A♭ Major | 0 | 4B | 81 BPM | ||
Enstantaneler: No. 3, Pigeons in Eyüp | Cemal Reşit Rey, Howard Griffiths, Deutsches Symphonie-Orchester Berlin | D Major | 0 | 10B | 83 BPM |
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